PROGETTI ED EVENTI

Dune- arts landscapes utopias

CREATIVE CAMPUS OF ART IN NATURE14/18 SEPTEMBER 2021- PRINCIPINA A MARE

A project of research and creation of Art in Nature that focuses on the relationships and attractions between theater, visual arts, photography, video art, science, environment and landscape, in search of new visions and transverse territory of new ways to inhabit and enhance it.

VIRUS Group: Nature is not indifferent - artistic installations - by Giulio Ceraldi, Consuelo Chierici, Stefano Desantis, Giancarlo Savino.

Nature is not indifferent, it is an integral part of the planet. Man can govern, but he cannot touch what nature is. Harmony, distribution, nutrition. Man cannot do without nature.

Video

Urban Museum of the Arts

A project of strategic uncoupling from the closed structures, secluded and somehow extraneous to the city, such as galleries, museums, foundations, etc. ... to place the expressive creativity, right in the urban fabric. It is not simply a matter of placing a contemporary sculpture in a square, even if this has not been achieved in Rome, but rather of proposing reflective paths through works of art.

The doors of the future

The project plans to establish a real operational center of visual education. The purpose is to raise awareness of art and beauty and its dissemination as a feeling. This is a different way of doing didactics, a dynamic and innovative vision able to form not only a practical way of doing, but also the beginning of a path that will have as its end the education to "beauty" and, therefore, a start to respect all artistic expressions by the new generations.

Corviale frates, between memory and contemporaneity

In formulating the project, we examined the historical aspect of the territory. Starting from the presence of the Arvali people who lived between Corvial and Magliana. A domination and a culture that, headed by Romulus himself, will then be the foundation stone of the imperial Rome that will dominate the world for years.

Make a project that can bring to light the cultural roots of the area, with works of art and decoration that can give the emotion and sense of beauty that everyone is entitled to.

In addition, work with waste materials. Those waste materials produced by unnecessary consumption, which even in economically depressed situations, or perhaps because of this, come to flood the eye, seemed to us a good start.

Dying is not an inconvenience

The economic and financial crisis provides an impeccable alibi for the disappearance of public commissions, the roots of which are first and foremost cultural, as demonstrated by the lack of artistic training of the majority of politicians, councillors and officials; just look at the modern urban decorations that "embellish" Italian squares and gardens; or the indiscriminate use of street art as an artificial cover for urban decay, now functional to institutional inertia in the maintenance of public affairs, and indeed complicit in its self-absorption.

One wonders why artists today are not called upon to contribute their ideas and imagination; why, for example, they are not involved in a process of emotional rehabilitation of death, of celebration of the grand finale of humanity.

To them, to the artists, could be entrusted the sentimental requalification of the mortuary chambers in hospitals, the spiritual welcome of those who will pass through, the consolation that only art, not because it is beautiful but because it is useful, can give to pain.